Cultural Affairs
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Courtesy of Paramount Pictures and Spyglass Media Group Movie Review: ‘Scream’ 2022
In the newest instalment of the Scream franchise, we’re taken back to the familiar small town of Woodsboro. Following the…
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Stephanie Patsula ‘Site/Sight/Place’ navigates Black identity
Through body and voice, Site/Sight/Place navigates a unique doubleness of being Black in Canada, and of existing in two cultures…
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Jin He The ultimate gift guide to shopping local this holiday
With the holiday season quickly approaching, it can get stressful finding gifts for your loved ones. Have no fear, The…
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Magnolia Pictures/QWGmire Movie Review: ‘Agnes’
Agnes follows the events at a convent after Sister Agnes, one of the nuns, begins to show signs of demonic…
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NIKO TAVERNISE/NETFLIX Movie Review: Don’t Look Up
In Netflix’s newest star-studded project, Don’t Look Up, viewers are hit with more than a six to nine km-wide impending…
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DBphotographics ‘God of Carnage’ explores relationships and disagreements through comedy
God of Carnage is a play that involves the discussion between two sets of parents as they discuss their children’s…
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A24 Film Review: ‘The Humans’
The Humans is a film that successfully blends drama, comedy, and horror in a way that creates a sense of…
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Supplied: Epic Phot ‘The Great Whorehouse Fire of 1921:’ a scorching reminder of the prairie identity
The Great Whorehouse Fire of 1921, written by Linda Edwards and directed by Trevor Schmidt, using devastating irony and empathy,…
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