Arts & Culture
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Leah Hennig De Temps Antan takes a new approach to recording music
After a long and occasionally stormy week, De Temps Antan closed out the CKUA stage at this year’s KDays. The…
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Supplied Film Review: ‘Lucid’
Lucid is a mind-bending psychological horror that artfully combines the surreal with the everyday struggles of arts students into a…
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Supplied Book Review: ‘The Caretaker’ by Marcus Kliewer
Marcus Kliewer’s The Caretaker is a haunting and taut novel. The novel contains psychological themes associated with obsessive-compulsive disorder (OCD),…
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Leah Hennig Drag Me to the Midway returns to KDays for another year
Drag performers from Edmonton and beyond took over the CKUA stage at KDays on July 24. The lineup of this…
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Supplied Hobby Hole: Dungeons and Dragons
In our Hobby Hole column, writers are given the chance to share their favourite hobbies with readers! Got a love…
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Leah Hennig Aysanabee returns to Edmonton, with new music on the horizon
Aysanabee is no stranger to Edmonton. He’s performed at the Edmonton Folk Music Festival twice and returned to the city…
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Michael Selby Album Review: ‘Second to None’ by The Get Alongs
Toronto-based band The Get Alongs recently released their sophomore LP, Second to None, via independent labels Having Fun and We…
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Supplied Book review: ‘Son of Nobody’ by Yann Martel
Son of Nobody by Yann Martel delivers a visually rich and emotionally charged journey through hidden truths, forgotten myths, and…
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