Cultural Affairs
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Stephanie Patsula
‘Site/Sight/Place’ navigates Black identity
Through body and voice, Site/Sight/Place navigates a unique doubleness of being Black in Canada, and of existing in two cultures…
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Jin He
The ultimate gift guide to shopping local this holiday
With the holiday season quickly approaching, it can get stressful finding gifts for your loved ones. Have no fear, The…
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Magnolia Pictures/QWGmire
Movie Review: ‘Agnes’
Agnes follows the events at a convent after Sister Agnes, one of the nuns, begins to show signs of demonic…
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NIKO TAVERNISE/NETFLIX
Movie Review: Don’t Look Up
In Netflix’s newest star-studded project, Don’t Look Up, viewers are hit with more than a six to nine km-wide impending…
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DBphotographics
‘God of Carnage’ explores relationships and disagreements through comedy
God of Carnage is a play that involves the discussion between two sets of parents as they discuss their children’s…
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A24
Film Review: ‘The Humans’
The Humans is a film that successfully blends drama, comedy, and horror in a way that creates a sense of…
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Supplied: Epic Phot
‘The Great Whorehouse Fire of 1921:’ a scorching reminder of the prairie identity
The Great Whorehouse Fire of 1921, written by Linda Edwards and directed by Trevor Schmidt, using devastating irony and empathy,…
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Iman Qureshi
SNAP Gallery hosts ‘At a Time: Tender and Tense’
The SNAP Gallery is an artist-run, non-profit centre. They’re dedicated to printmaking, and provide space for exhibitions. The gallery hosted…
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National Film Board of Canada
‘Into Light’ and ‘I Am Skylar:’ Navigating what it means to be trans
The sky’s the limit when you step into the light of your own truth. Sheona McDonald’s Into Light (2020) and…
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