Columns
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Anna Rudge Art Retrospective: Why ‘Melodrama’ by Lorde still feels like growing up
In our column, Art Retrospective, writers get the chance to reflect on one of their personal favourite pieces of art,…
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Anna Rudge Art Retrospective: ‘Songs of Leonard Cohen’ 1967
In our new column, Art Retrospective, writers get the chance to reflect on one of their personal favourite pieces of…
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Peter Elima Gateway to Gastronomy: Homestyle South African koeksisters
In our Gateway to Gastronomy column, writers are given the chance to share their favourite recipes! Being a South African…
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Supplied Hobby Hole: Dungeons and Dragons
In our Hobby Hole column, writers are given the chance to share their favourite hobbies with readers! Got a love…
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Peter Elima Gateway to Gastronomy: Homemade Jordanian hummus
In our Gateway to Gastronomy column, writers are given the chance to share their favourite recipes! I grew up eating…
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Ash Grover Cultural Commentary: AI art is not art
Artificial Intelligence (AI) is far from neutral, and unlike holding a pen or pointing a lens, its results are absent of…
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Ash Grover Cultural Commentary: ‘Spotify Wrapped’ unwrapped
Every December, Spotify Wrapped descends on our timelines with the subtlety of a fire alarm. All with bright graphics, forced…
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Leonardo Radzick Cultural Commentary: Should Canada join Eurovision?
When the 2025 federal budget mentioned that Canada is exploring participation in the Eurovision Song Contest, many Canadians did a…
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Leah Hennig Sean Feucht has no place in Alberta or Canada
The rest of Canada has been opting out of platforming professional victim and anti-equality musician, Sean Feucht. But, Government of…
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