Arts & Culture
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Leah Hennig
Photostory: 2025 Edmonton Pride Parade
After seven years, the Edmonton Pride Parade returned to Edmonton. While the COVID-19 pandemic threw an obvious wrench in having…
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From a rocky beginning to building a loyal fanbase: Autoheart
Autoheart is a queer indie-pop trio from London, United Kingdom (U.K.), gearing up for a tour after they release their…
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Fringe Review: ‘Bribe the Director’
The 44th Edmonton International Fringe Festival is well under way, and with it comes a slew of brand new shows…
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2025 Fringe Festival Review: ‘Fear Fables’ drag anthology
Fear Fables: The Horror Drag Anthology brought a group of incredibly talented drag artists and plenty of skin-crawling moments to…
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2025 Fringe Festival Review: ‘Orphan Well’
As the title would imply, Orphan Well, written and directed by Len Falkenstein, is a play about orphan wells —…
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2025 Fringe Festival Review: ‘Genesis’
Written by U of A alum, Moemen Gaafar, the play Genesis has been showing during the 2025 Edmonton Fringe Festival.…
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Leah Hennig
Sean Feucht has no place in Alberta or Canada
The rest of Canada has been opting out of platforming professional victim and anti-equality musician, Sean Feucht. But, Government of…
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Supplied - Art by Willow Rosenberg
2025 Fringe Festival Review: ‘A Lesbian in a Bear Store’
Ever wanted to see a play filled to the brim with Beanie Babies and lesbian jokes? A Lesbian in a…
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Supplied - Artwork by Laurel Dundee
2025 Fringe Festival Review: ‘The Cult of the Clitoris’
Written and co-directed by Celia Taylor with Tegen Siganski, The Cult of the Clitoris, offers a slice of history to…
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2025 Fringe Festival Review: ‘The Alberta Hospital For The Insane’
If there’s one thing you can guarantee the Edmonton Fringe Festival will offer, it’s variety. While plays are the primary…
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