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Album Review: The Gay Nineties

The Gay Nineties
Liberal Guilt
Independent
gayninetiesmusic.com

It seems like the Gay Nineties couldn’t decide which kind of album to make Liberal Guilt: high energy indie rock or a Mowtown tribute.

The first half consists of danceable indie rock that start this EP off on high note. Their single, “Letterman” is irresistibly catchy and serves as a focal point to the album. It’s the type of song that you could sing your heart out to — the half-yelled vocals and pounding drums make it wildly fun.

On the fourth track, things take an unexpected turn for the sexy. The upbeat energy of the first half is replaced with four Marvin Gaye-inspired sensual tracks. These are songs to seduce a lover to, complete with breathy vocals and a slow, seductive beat. Here, they blend genres in a way that results in a psychedelic atmosphere, making use of well-timed guitar solos to add some classic rock flavour that contrasts nicely with the earlier indie vibes.

Despite the confusing mix of style, Liberal Guilt is refreshingly enthusiastic, creating great atmosphere that is as youthful as it is sexual. This EP will no doubt help create a name for this band, establishing that they are a talented group with a lot of potential. With their obvious proficiency in a multitude of genres, The Gay Nineties proves their prowess on Liberal Guilt.

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