Joel Plaskett is still constantly learning through his craft — and this time around, he’s taking a lesson in artistic efficiency.
At six feet tall and 127 feet long, artist Ian Forbes’ painting The Big Foldy Painting of Death is a tremendous work, both in stature and in style.
Shane Koyczan is a man of so many words, after 13 years of sharing them, he still has plenty left.
The Gateway seeks out the most fashionable people on campus.
For Wooden Sky frontman Gavin Gardiner, a mellower sound was a natural reaction to spending more time at home.
With an abundance of sexual escapades and hilarious misunderstandings, American Reunion proves that maturity doesn’t necessarily come with age.
Over the past two decades, Our Lady Peace’s sound has been undergoing a subtle but noticeable transformation.
Summer movies are meant to quench all your primal film thirsts, and this summer is shaping up to be pretty impressive.
With an examination of gender and violence, playwright Jean Genet’s The Maids takes performativity to extreme, dark places, where following through with murderous fantasies leads to horrible realities.
The Gateway takes a look at events for the week ahead.
Life is hard. There’s no secret or manual — we’re all just sort of playing it by ear. There’s no right or wrong way to go through life, just an easy way and a hard way. The hard way involves work, dedication, motivation, aggravation, archaeological excavation, rhyming skills, etc. So we can all agree the hard way is way too hard. It’s clear you need to take the easy way out. After all, with great effort comes great responsibility.
Artificial intelligence has been the focus of Jonathan Schaeffer’s research during his past 28 years at the University of Alberta, but his new role as Dean of Science will rely solely on his own intelligence.
For the final show of the year, Ryan, Darcy and Adrian sit down for an hour and talk about stuff they like.