April 10, 2013
Browse or download the PDF of our latest issue.

Worthy Polaris Prize winners

Peggy Jankovic
Gateway Staff
Oct 03, 2012

As was announced on Sept. 24, this year’s Polaris Music Prize winner is Feist for her album Metals. While it was a perfectly fine record, it didn’t totally deserve the win.

The Polaris is a not-for-profit organization that aims to celebrate creativity and diversity in Canadian music. If you’ve had your music in an iPod commercial or for sale in Starbucks, though, you probably don’t need the $30,000 prize. Indeed, many up-and-coming artists could put that hefty sum to good use.

It’s a shame, really, since the Polaris Music Prize started off as what seemed to be much-needed recognition for overlooked Canadian independent music. In the past two years, however, the Polaris winners — Feist and Arcade Fire — had also won Junos earlier in the year, and even a Grammy in Arcade Fire’s case.

There have been enough creative, inventive releases over the past year that Feist is hardly representative of the current state of Canadian music. Instead, let’s focus on three Canadian acts who were my personal top picks.

The Weather Station:
Singer-songwriter Tamara Lindeman’s sophomore effort, All of It Was Mine, wasn’t nominated for the Polaris Prize Long List, but it certainly would have been deserving of some recognition. The album is a soothing collection of soft folk songs, with delicate and simple arrangements that make each track all the more compelling. Lindeman’s beautiful voice and finger-picking make this record an instant classic.

The Weather Station - Came So Easy

Cannon Bros:
Cannon Bros didn’t make the cut to the shortlist, but their Firecracker/Cloudglow stood out. The Winnipeg duo’s indie pop fare is boosted by energetic vocals and fun guitar riffs. Firecracker/Cloudglow is a straightforward collection of catchy tunes reminiscent of these sunny fall afternoons.

Cannon Bros - Soft View

Grimes:
The buzz surrounding Claire Boucher and her experimental dream pop had the potential to hype her up to an unattainable standard. Still, the 24-year-old’s 2012 full-length Visions holds up and exceeds expectations. A dancey-yet-ethereal collection of densely layered tunes, it’s probably physically impossible to not thoroughly enjoy each track.

It’s hard to pin Grimes down to a particular genre, as Boucher draws heavily from an eclectic variety of influences. Inventive and addictive, the shortlisted Visions stays fresh with every listen.

Grimes - Nightmusic



Comments

How about Edmontonian Eamon McGrath and his Young Canadians release. Did not even get long listed—- sad.

Great album and a canadian classic.

Can not say that I am digging Grimes too much. Has a certain pop appeal, but not worthy of such a prize.

Giving the Polaris to big acts like those of the last two years sort of defeats the purpose of the prize.



Posted by fact72 on Oct 03, 2012

Submit a comment

By submitting your comment here, you acknowledge that The Gateway reserves the right to publish your comment both online and in print. The Gateway also reserves the right to edit comments for length and clarity when reprinted in the print edition, and to refuse publication (both online and in print) of any comment it deems racist, sexist, libellous or otherwise hateful in nature.

All comments must be approved by a moderator before they will be visible, and may take up to 48 hours to appear. Comments may be no longer than 5000 characters.


Commenting is not available in this channel entry.

daily dose

Board of Governors — May 10, 2013

05/13/2013

U of A and Students’ Union reach settlement over Lister policy changes

05/06/2013
latest blog post

Chivalry Should Die

05/02/2013

The remnants of chivalry still linger today, especially in the dating world.

most popular